John Barrymore on stage, screen and radio

[1] After Barrymore tried to start a career in art, becoming an illustrator at the New York Evening Journal, his father tempted him to appear on stage in 1901 in A Man of the World; the theater proved more interesting than the newspaper industry, and he quickly changed professions.

When his time with Warner Bros. finished, he signed a contract with United Artists to make three features: The Beloved Rogue (1927), Tempest (1928) and Eternal Love (1929).

When that contract ended he returned to Warner Bros. for five further films, and was then picked up by Metro-Goldwyn-Mayer, where he appeared in Grand Hotel, A Bill of Divorcement and Rasputin and the Empress (all 1932).

[11] Although Barrymore appeared in a number of successful films in the 1930s, including Counsellor at Law (1933) and Twentieth Century (1934), his increasing alcoholism led to memory loss and the inability to remember his lines.

[2][12] His problems with alcohol affected his confidence and he admitted to Helen Hayes, his co-star of Night Flight, that he had "completely lost [his] nerve" and that he "could never appear before an audience instead".

Barrymore in 1927
Barrymore drew a caricature of himself and Ethel in A Slice of Life , 1912
Mary Young , John Barrymore and Frank Campeau in Believe Me, Xantippe , 1913
Barrymore (right) with his brother Lionel in The Jest , 1919
Barrymore as Richard III, 1920
Violet Kemble-Cooper and Barrymore in Clair de Lune , 1921
Barrymore as Hamlet , 1922
The Dictator , 1915
The Incorrigible Dukane , 1915
Barrymore and Lois Meredith in the 1918 film On the Quiet
Barrymore (left), as Sherlock Holmes , with Roland Young , 1922
Poster for the 1924 film Beau Brummel
Barrymore with Greta Garbo in Grand Hotel , 1932
Barrymore (left), with his siblings Lionel and Ethel , 1904
Barrymore, by John Singer Sargent , 1923
Barrymore at the White House in January 1924