[1] After Barrymore tried to start a career in art, becoming an illustrator at the New York Evening Journal, his father tempted him to appear on stage in 1901 in A Man of the World; the theater proved more interesting than the newspaper industry, and he quickly changed professions.
When his time with Warner Bros. finished, he signed a contract with United Artists to make three features: The Beloved Rogue (1927), Tempest (1928) and Eternal Love (1929).
When that contract ended he returned to Warner Bros. for five further films, and was then picked up by Metro-Goldwyn-Mayer, where he appeared in Grand Hotel, A Bill of Divorcement and Rasputin and the Empress (all 1932).
[11] Although Barrymore appeared in a number of successful films in the 1930s, including Counsellor at Law (1933) and Twentieth Century (1934), his increasing alcoholism led to memory loss and the inability to remember his lines.
[2][12] His problems with alcohol affected his confidence and he admitted to Helen Hayes, his co-star of Night Flight, that he had "completely lost [his] nerve" and that he "could never appear before an audience instead".