His screenwriting credits include, most notably, Full of Life (1956, based on his 1952 novel by that name), Jeanne Eagels (1957), and the 1962 films Walk on the Wild Side and The Reluctant Saint.
[8] According to a local historian, “He wrote movie scripts with drinking partner William Faulkner in the 1940s, and was still active in the studios in the 1950s and 1960s.”[6] Fante's screenwriting credits include the comedy-drama Full of Life (1957), based on his 1952 novel of the same name, which starred Judy Holliday and Richard Conte, and was nominated for Best Written American Comedy at the 1957 WGA Awards.
[11] He also co-wrote Walk on the Wild Side (1962), which stars Jane Fonda in her second credited film role, based on the novel by Nelson Algren.
Recurring themes in Fante's work are poverty, Catholicism, family life, Italian-American identity, sports, and racism.
Kristopher Cook proposes a concentration on themes of "existentialism; philosophy – finding the meaning of life through free will, choice, and personal concern".
[19] Fante's clear voice, vivid characters, shoot-from-the-hip style, and painful, emotional honesty blended with humor and scrupulous self-criticism give his books wide appreciation.
[20] On October 13, 2009, Los Angeles City Council member Jan Perry put forward a motion, seconded by Jose Huizar, that the intersection of Fifth Street and Grand Avenue be designated John Fante Square.
The site is outside the Los Angeles Central Library frequented by the young Fante, and where Charles Bukowski discovered Ask The Dust.
[10][24] In March 2006, Paramount Pictures released Ask the Dust, directed by Robert Towne and starring Colin Farrell, Salma Hayek and Donald Sutherland.
[25] In December 2006, a 2001 documentary film about Fante, A Sad Flower in the Sand (directed by Jan Louter), aired on the PBS series Independent Lens.
[27] On January 18, 2001, the play 1933 by Randal Myler and Brockman Seawell, based on Fante's novel 1933 Was a Bad Year, premiered at the Denver Center for the Performing Arts.