[1] The spray can became Latham's primary medium, as can be seen in Man Caught Up with a Yellow Object (oil painting, 1954) in the Tate Gallery collection.

In addition to spray paint, Latham tore, sawed, chewed and burnt books to create collage material for his work,[1] such as Film Star (1960).

[1] In 1966, he took part in the Destruction in Art Symposium in London led by Gustav Metzger along with Fluxus artists such as Yoko Ono, Wolf Vostell and Al Hansen.

2), a conceptual artwork featuring copies of the Bible, Quran, and a volume of the Talmud, each cut in two and attached to a sheet of glass.

On the second CD of the collection is an extended instrumental improvisation, similar to that of the middle section of their performances of "Interstellar Overdrive", which were recorded in 1967 as a soundtrack for Latham's 1962 film Speak.