John Renbourn

In the 1950s, along with many others, he was greatly influenced by the musical craze of skiffle and this eventually led him to explore the work of artists such as Lead Belly, Josh White and Big Bill Broonzy.

However, the Roundhouse in London had a more tolerant attitude and here, John Renbourn joined blues and gospel singer Dorris Henderson, playing backing guitar and recording two albums with her.

Around 1963, Renbourn teamed up with guitarist Bert Jansch who had moved to London from Edinburgh, and together they developed an intricate duet style that became known as folk baroque.

At around that time Renbourn also started playing and recording with Jacqui McShee, who sang traditional English folk songs, and with American fiddler Sue Draheim.

[5] He also collaborated with American guitarist Stefan Grossman in the late 1970s, recording two albums with him, which at times recall his folk baroque days with Bert Jansch.

In 1988, Renbourn briefly formed a group called Ship of Fools with Tony Roberts (flute), Maggie Boyle (lyrics, miscellaneous instruments) and Steve Tilston (guitar).

[5] After practising by mailing tapes to each other in England, they held their first concert, comprising two sold-out shows, at Harvard's Hasty Pudding Club Theater.

In 2006 he played at number of venues in England, including the Green Man Festival in Wales and appearances with Robin Williamson and with Jacqui McShee.

In the same year, he was working on a new solo album and collaborated with Clive Carroll on the score for the film Driving Lessons, directed by Jeremy Brock.

Renbourn (left) and Stefan Grossman on stage at the 1978 Norwich Folk Festival
Jacqui McShee, John Renbourn and Wynd Theatre owner Felix Sear on 8 November 2003