John V, Count of Nassau-Siegen

Because of the increasing "Rauben, Morden, Brennen und andere Gewalttätigkeiten" ("robbery, murder, arson and other acts of violence") and in order to be able to execute justice more quickly and effectively, John established a vehmic court on Ginsburg Castle.

[25] In the context of the settlement of their dispute in 1478, Gerhard and John agreed to make an arrangement regarding the purchase of ironstone and coal and the metallurgical industry in both lands.

For John this part of a cross-border route for iron apparently was a strategically and geographically important connection between the Siegerland and the neighbouring area along the Dill, in order to involve Wittgenstein in the economic process and to create new market opportunities for Nassau.

Within this toll union, a simple declaration was enough to transport provisions, fruit, grain, oat, meat, wine, butter, cheese and iron freely.

This expansion of the toll area even brought benefits for production, as the import duties for charcoal from Wittgenstein and the Freier Grund,[note 3] which partly belonged to the County of Sayn, were abolished.

[27] A close relationship existed between John and his eldest sister Anne, who mainly resided in Celle through her marriage to Duke Otto II of Brunswick-Lüneburg in 1467.

[17][31] John rushed to his brother's aid with cavalry,[32] but had to liberate Engelbert with a ransom of 84,000 francs, for which the city of Siegen volunteered to pay a part.

In the same year, John strongly emphasised his demands and asked Archbishop Herman IV of Cologne[note 4] to reimburse him for the damage to the forest that the inhabitants of Brachthausen [de] had left behind on Nassau territory.

Should this wood crime continue, "und die von Brachthusen in ierem gewaltigen vurnemen wurden beharren, wurde ich geursacht, der gewalt zu sturen" ("and the people of Brachthausen will persist in their violent actions, I will be induced to resist with force"), John stated.

[1] "Umb seiner vernunft und schicklichkeit willen" ("due to his wisdom and propriety") Emperor Maximilian I appointed him an imperial councillor in 1505.

Due to the circumstances in the Netherlands and the large sums of money that John again spent for his brother in these battles, the construction of the monastery in Siegen was undoubtedly stopped and it remained unfinished.

[8] The father of both, Count Philip the Elder of Katzenelnbogen, remarried in 1474, at the age of 72, to Countess Anne of Nassau-Siegen, John's 32 years old eldest sister.

The perpetrator, a clergyman called Johann von Börnich, confessed on the rack that he had given the countess poisoned wine at supper and that he had been induced to do so by a high Hessian official.

Because John instituted criminal proceedings against von Börnich, Hesse's reputation was dealt a heavy blow as an alleged instigator of murder.

[28] The County of Katzenelnbogen was situated between the Taunus and the Lahn and was very rich due to the possession of a large number of Rhine tolls between Mainz and the border of the Netherlands.

[8] The county consisted of Rheinfels, Sankt Goar, Braubach, Hohenstein, Darmstadt, Zwingenberg, Rüsselsheim and Umstadt, as well as Eppstein, the district of Driedorf and parts of Diez, Hadamar, Ems, Löhnberg, Camberg, Altweilnau and Wehrheim.

[46] John seems to have made use of the Elector of Trier's personal physician Dr. Johann Rief, who spent weeks at his bedside in Siegen in January 1505 and was called in again in 1509, as the count was suffering from gout or another leg ailment.

This genealogy was given extra splendour by the fact that, in addition to the direct descent from Count Otto I of Nassau, Roman King Adolf was also included in the series.

van der Klooster, curator of the topography department of the Netherlands Institute for Art History, argued that the design drawing for the last tapestry contains a clear mistake.

In this drawing he stated, it is clear that the inscription in the cartouche, as well as the filling in of the shields, were added early, but somewhat later in the sixteenth century, because the colour of the paint indicates this.

One could say that it followed the fashion of the international courtiers around Emperor Charles V. His sister Archduchess Eleanor is depicted in entirely similar attire in her portraits by Joos van Cleve.

When in September 1517 Emperor Charles V made his first journey to Spain in the company of a large retinue, among them Dutch chroniclers and artists, the party came into contact with the mule for the transport of the ladies.

The fact that, unlike the other countesses, the Spanish Mencía de Mendoza is the only one riding on a mule is therefore a factor in the identification according to Van der Klooster.

Van der Klooster admitted that against his view the fact speaks that the inscription in the cartouche explicitly states only as depicted: John V and his wife Elisabeth.

This motif, originally Arabic and Moorish, appeared almost simultaneously at the beginning of the 16th century in Italy, at the French court and in Germany, where artists such as Albrecht Dürer and Hans Holbein frequently used it.

Van Orley, who was greatly impressed by Dürer, whom he also met during his journey through the Netherlands in 1521, may therefore have used this then very fashionable motif as a progressive artist for entirely different reasons.

[65] Fock did point out that the fact that John V, unlike his son, had no right to wear the collar of the Golden Fleece and to carry it with his coat of arms is a valid argument.

In Fock's opinion, this also holds the key to the identification of the two unknown women, which is related to the inheritance of the County of Katzenelnbogen, which was so important for Nassau at the time.

[67] On the website of the Netherlands Institute for Art History (the former employer of Van der Klooster) it is stated that the picture depicts Henry III with his wife Mencía de Mendoza and two deceased wives.

Finally it states that the identification as Henry III is on the basis of the portrait of Mencía de Mendoza, her Spanish mule, the Order of the Golden Fleece and the 'three wives'.

Siegen Castle, 2011.
Diez Castle. Photo: Peter Klassen, 2006.
Ginsburg Castle. Photo: Frank Behnsen, 2010.
Roman King Maximilian I, later Emperor. Portrait by Albrecht Dürer , 1519. Kunsthistorisches Museum , Vienna .
Siegen in 1617. From Braun & Hogenberg, Civitates orbis terrarum Band 6, Cologne, 1617. In the middle the St. John's Church of the Franciscan monastery (under the word Coenobiu). On the left the city castle and on the right St. Martin's Church.
The Evangelische Stadtkirche in Dillenburg, 2014.
Anne of Nassau-Siegen, John's eldest sister. Anonymous portrait, c. 1460 .
St. Mary's Church in Siegen. Photo: Bob Ionescu, 2005.
Design drawing by Bernard van Orley for the eighth tapestry in the series containing the genealogy of the House of Nassau, c. 1528–1530 . Staatliche Graphische Sammlung München . Does this drawing depict John V and his wife Elisabeth? Or their son Henry III and his three wives?
Mencía de Mendoza. Portrait by Jan Gossaert, 1500–1550. Musée Condé , Chantilly, Oise .
Count Henry III of Nassau-Breda. Portrait by Jan Gossaert , 1530–1532. Museu Nacional d'Art de Catalunya , Barcelona .