Jorge Perez Evelyn

Being only 18 years old, he was in a musical show named "Verdissimo" (Very Green) at Cafe Teatro Popea on famous Corrientes Street, the center of all entertainment in Buenos Aires.

[3] The producer Antonio Prat, director of the well-known Teatro Maipo, invited Evelyn to star in a revue named "Una Noche de Locura.

[4]( A Crazy Evening) with the comedian Alberto Locati and the Argentine folkloric ballet named "Argentina Trio" in Teatro El Gallo Azul de Rosario in November 1974.

[11][12] Miguel Paulino Tato, is considered the highest censor in the history of Argentine cinema from August 1974 to March 24, 1976, during the presidency of María Estela Martínez de Perón; and from there until the end of 1980, during the civic-military dictatorship.

[13] After having received a death threat note left on the dresser in his dressing room, Jorge decided to leave his country to protect his life, helped by longtime friend star Nelida Roca.

This press conference prepared by producer Hugo De Freitas, had the purpose of making Evelyn known in the Brazilian theater industry to star in a musical show after her contract in Venezuela ended, but this never happened due to the success obtained in Caracas that It lasted longer than expected.

The International Evelyn Show is a revue in vaudeville style without a book, in which nothing has been neglected"..[17][18] The Spain's press was impressed by Jorge's stage talent, that a week later he was in the cover of the Magazine Chiss.

He flees from misunderstandings because he thinks that being a transvestite is a genre as worthy as any other,[24] and continue all over Europe including private millionaire's parties at the Costa del Sol, discothèques and Theatres.

A third-generation artist –his mother and grandmother were vedettes-, Pérez talks about exile, transphobia and hypocrisy in the Argentine showbiz, and the differences between cross-dressing and the drag universe.

And it also tells the story of Evelyn, its most famous character, and also the most persecuted, who is now rescued by proposals that range from podcasts to exhibitions in national museums to a series soon to be seen on one of the important platforms".