She has written features on a wide range of artists, including John Outterbridge, Chanel Miller, Alison Saar, Mounira Al Solh, Doris Salcedo, Ai Weiwei, Judy Chicago, Mary Kelly, Robert Irwin, John Baldessari, Karl Benjamin, Doug Aitken, Stanya Kahn and Harry Dodge, Enrique Martinez Celaya, Lynn Hershman, Andrea Zittel and David Hockney.
She broke news about the hard-sell strategies for unauthenticated Salvador Dalí and Pablo Picasso prints taking place through cruise ship auctions.
"[18] L.A. Times editor Davan Maharaj responded with a letter, also posted on multiple news sites, identifying other staff reporters who cover arts and entertainment.
"[21] Hershman developed the Roberta Breitmore persona over several years in the 1970s, going out on the town in a particular outfit and "ultimately securing, among other things, a driver's license, an apartment, a shrink and a succession of dates.
"[22] "Identity Theft" put the Roberta project into the larger context of feminist artworks of the 1970s by exhibiting it alongside other examples of women artists fashioning alter egos or making themselves over.
[23] Art in America critic Sarah Valdez said "Antin’s, Hershman’s and Lake’s challenging agenda and high-quality work make their status as lesser-known feminist pioneers bewildering.
"[24] Curator Ali Subotnick in Artforum put "Identity Theft" on her top ten list for 2007 shows and called the projects "radical works ahead of their time and all relevant today.
Highlights include: Shirin Neshat on Alice Neel, David Hockney on Edgar Degas, Marina Abramović on Umberto Boccioni, Ai Weiwei on a Shang Dynasty jade, Nick Cave on Jasper Johns, Judy Chicago on Agnes Pelton, Do Ho Suh on Jeong Seon, Mark Bradford on Mark Rothko, and Gillian Wearing on Rembrandt.