Torrente openly states his admiration for Generalísimo Francisco Franco (and later for King Juan Carlos and the crown prince), and is a declared fan of the Atlético de Madrid Football Club and Spanish singer El Fary.

Since his legionary stay in the Sahara Campaign, he has dragged a post-traumatic stress disorder, aggravated by war memories, episodes of ethnic cleansing of the native Afro-Hispanic-Beydán population at the hands of Francophone Alawite invaders from the north.

There, he establishes himself as a private investigator, discovers that his real father is the local crime boss Mauricio Torrente and stops the James Bond-type supervillain Spinelli from destroying the city - throwing his super-missile over the British naval base at Gibraltar instead.

The "saga of torrential cinema" would come to symbolize a national-social eschatological comic anti-allegory of the last years of Spanish collective history, housing its irony of society, showing the lowest stratum of it in a character with basic or marginal economic difficulties, but admiring bad upper-class examples in his more immediate pseudo-ideological environment like, dipsomaniac Leopoldo Fortunato Galtieri, the old reusable "sterilized" syringe of a drug-addicted opium addict Hermann Goering as a primary inspiration.

The rejuvenating traditional sexual therapy of a decadent Mao Zedong has left its mark on him, according to its creator in the aspect of a faithful reflection of the daily misery of a society and has been influenced in turn by works such as "Spanish Fury": the last film shown at the Cineteca del Pardo and that took Franco to the grave.