José Suárez made his debut in a short role in Altar Mayor (1944), a very conventional film, whose director, Gonzalo Delgrás, had paid attention to him in his work as a train conductor in Asturias.

He then became very popular in Spain along the late 40s and early 50s, as one of the main heartthrobs of the Spanish cinema, along with his contemporaries Francisco Rabal, Jorge Mistral and Alfredo Mayo.

[1] He also co-starred with the popular Andalusian gipsy singer and dancer Lola Flores in La danza de los deseos (1954), directed by the most prestigious veteran Spanish film-maker, Florián Rey.

In 1956, his lead role in the internationally acclaimed Calle Mayor (undoubtedly his best role, his best performance and his best film, although he always preferred Condenados) provided him with the opportunity to work in Italy with well-known film directors as Luigi Zampa in The Magistrate, starring with Claudia Cardinale, and Francesco Rosi in La sfida, starring with Rosanna Schiaffino, while he gradually lost his popularity in his home country, despite still appearing in the 60s in some interesting Spanish movies, such as A tiro limpio (1963) or La boda (1964).

Despite appearing too in two successful mainstream Italian films: Scano Boa (1961) and Sette uomini d'oro (1965), eventually he was almost confined to the Spanish-Italian sword and sandal and spaghetti westerns movies, the most interesting of all them being The Price of Power (1969), also known as Il Prezzo del potere or La Muerte de un Presidente.