It was in 1832 that Lanner allowed his soon-to-be rival Johann Strauss I to deputise in a second, smaller orchestra that was formed that year to meet the busy schedule of the Carnival activities.
In the same year, Strauss I parted company with Lanner after a concert at one of the Viennese dance establishments, Zum Schwarzen Bock (The Black Ram).
Further, Lanner and Strauss I worked together often despite having severed their partnership and even gave a benefit concert for their former employer, Michael Pamer who was taken ill in 1826 at the same establishment where they separated.
In fact, it was believed that the ruling Habsburg dynasty was anxious to divert its Viennese populace from politics and the revolutionary ideas that were feverishly sweeping Europe, with many cities preparing to overthrow any unpopular monarch.
Lanner himself was appointed to the coveted post of Musik-Direktor of the Redoutensäle in the Hofburg Imperial Palace of which his primary duties were to conduct concerts held in honor of the nobility and to compose new works for the Court orchestra.
Strauss was eager to undertake extensive lucrative tours abroad including England, whereas Lanner held on in Vienna unconvinced that the other nationalities were prepared to listen to Viennese music.