Stalin's father Vissarion Jughashvili, a local shoemaker, rented the one room on the left hand side of the building and maintained a workshop in the basement.
The hut originally formed part of a neighbourhood of similar dwellings, which was cleared in Soviet times to make way for more modern housing, a square, and the museum.
The main corpus of the complex is a large palazzo in Stalinist Gothic style, begun in 1951 ostensibly as a museum of the history of socialism, but clearly intended to become a memorial to Stalin, who died in 1953.
The exhibits are divided into six halls in roughly chronological order, and contain many items actually or allegedly owned by Stalin, including some of his office furniture, his personal effects and gifts made to him over the years.
[7] Commentators have also suggested that, based on a comprehensive Ethics of Political Commemoration, the process of transforming the museum would require extensive public engagement to legitimize any eventual design.