Journey Through Dalmatia is album by Ensemble Renaissance, released on 14 March 1999 on the Al Segno label.

It is their 14th album overall, dealing with early music of Dalmatia and Adriatic, from the earliest medieval manuscripts with Beneventan chant and church music, to the first authentic Dalmatian Renaissance composers, such as Petar Hektorović, who wrote down two songs, one bugarštica Kada mi se Radosave vojevoda and one song I kliče devojka, both of which were printed in Venice; also are included the first composers active in Republic of Ragusa, like Vincenzo Comnen, the renaissance printers like Andrea Antico, Julije Skjavetić, Marcantonio Romano, renaissance dances, music of nobility, up to the early baroque and late baroque sonatas and motets by Tomaso Cecchini, Ivan Lukačić, Vinko Jelić.

Interest in music began to spread outside of monastic and church walls with growing influence of new spiritual tendencies from Central European and particularly Italian cities.

New tendencies of early Baroque monody soon found their way into the domestic musical tradition, both sacral and secular.

Tomaso Cecchini, from Verona, who spent his entire working life (1603–44) as a choirmaster, organist and composer in Split and Hvar, published his madrigals Armonici concetti, libro primo (1612) as the oldest Baroque collection written for the Croatian milieu.