Juan Conchillos Falco

He came from an illustrious family and spent many years studying in the workshop of Esteban March, who was apparently rather eccentric.

[1] In 1670, he moved to Madrid, where he was reunited with José García Hidalgo, a former fellow student, who helped him find work; most of which is now lost.

[2] He painted several scenes from the life of the Christ of Beirut [ca] for the Church of the Savior, which were destroyed during the Spanish Civil War.

In Alicante, he produced icons and scenes related to the Holy Face of Jesus for the Monasterio de la Santa Faz [es].

[1] A large number of his drawings, meticulously dated, are in the collections of the Museo del Prado and the Biblioteca Nacional de España, among others.