Judith Gordon

Bernard Holland, reviewing for The New York Times, wrote, "… Ms. Gordon does not have the dominating technique associated with major virtuosos, but she has character and she thinks.

Gordon has performed with a variety of musicians, including soprano Lisa Saffer, mezzo-soprano Janice Felty, mezzo-soprano Lorraine Hunt Lieberson, tenor William Hite, and baritone James Maddalena; cellists Andres Diaz, Rhonda Rider, and Yo-Yo Ma; violists James Dunham, Cynthia Phelps, Marcus Thompson, and Roger Tapping; violinists Rose Mary Harbison and Andrew Kohji Taylor; and oboist Douglas Boyd.

In a 1998 profile, Boston Globe classical music critic Richard Dyer quoted Gordon as saying, "Some of the most beautiful colors and textures on the piano emerge when you're not playing alone.

Gordon has taught piano at the Massachusetts Institute of Technology, and served on the jury at the Fischoff National Chamber Music Competition.

She performs and teaches at chamber music festivals including the Cape Cod (Massachusetts), Charlottesville (Virginia), Innsbrook (Missouri), Rockport (Massachusetts), Portland (Maine), Santa Fe (New Mexico), Spoleto USA (South Carolina), and Token Creek (Wisconsin) Festivals and Music from Salem (New York), where she is a co-artistic director.