He was involved in JMT since the early days but left before the recording of their first album The Psycho-Social, Chemical, Biological & Electro-Magnetic Manipulation of Human Consciousness, only to rejoin the group a couple years later.

However, Jus took some time away from music in the mid-1990s to attend college, which is largely the reason for his disappearance on the first JMT LP and the formation of their indie label, Superegular Recordings.

The year 2000 saw what the release of the classic Jedi Mind Tricks album Violent by Design, regarded by many JMT fans as featuring Jus Allah's best work.

At some point after The Devil'z Rejects was proven to be a sham, Jus released a mixtape entitled, Bomshot is a Faggot, featuring multiple rare songs and remixes.

In 2006, Jus reunited with his former group Jedi Mind Tricks and released their first collaborative track in five years, titled "The Rebuilding", as an exclusive, online-only MySpace download.

In an interview conducted in September 2007 on the Art of Rhyme website, Jus Allah announced that he had rejoined Jedi Mind Tricks, saying he was "cool with Vinnie [Paz] again."

[1] Following his re-induction into the group as an official member, Jus was added to the Army of the Pharaohs' lineup in 2007, solidifying a spot on their second studio album, Ritual of Battle.

In 2008, Jedi Mind Tricks, now reunited with the original three-member lineup of Stoupe, Vinnie Paz, and Jus Allah, released their sixth album A History of Violence.

The reason for his departure has not been disclosed, but is rumored to be beefs with in-house producer C-Lance and Heavy Metal Kings' affiliate Slaine, as well as tensions between Jus and Paz over the struggles.

[2] The album received mixed to negative reviews: one critic panned its violent content, writing that "some of it is uncomfortable to listen to unless you’re a genuine serial killer who's open to advice from a hardcore rapper," comparing Jus Allah to Necro "with worse beats and slightly better flow.

It received a positive review from Insomniac Magazine, which wrote that "the vet emcee unleashes supreme lyricism over hard hitting audio aesthetics on this impactful platter.