He studied under Axel Revold, Jean Heiberg and Georg Jacobsen at the Norwegian National Academy of Craft and Art Industry in Oslo from 1933-38.
He also created a vast production of figurative paintings and tapestry designs including at Steinkjer Church.
For many years he had a fruitful partnership with textile artist Else Halling (1899-1987), aiming to find a useful range of plant dyes for dying wool from spelsau.
[5] He was an invited participant at the international biennale, "Biennale internationale de tapisserie" in the Cantonal Museum of Fine Arts in Lausanne and is discussed in the work of Pierre Verlet-Michel Florisone and Adolf Hoffmeister-Francois Tabard: Le grand livre de la tapisserie (Paris: Bibliothèque des arts, 1965).
He was awarded a number of distinctions including Schlytters og Mohrs legat (1939), Statens reisestipend (1952) and Thomas Fearnleys Minnestipend (1955).