[9] LTTR's mission centered on "highlighting the work of radical communities whose goals are sustainable change, queer pleasure, and critical feminist productivity.
"[9] LTTR first began as a journal and eventually expanded to include live events, screenings, collaborations, read-ins, and workshops.
Writer Andrew Durbin has noted that the zine is somewhere between avant couture and "riot grrrlesque" and features various self-portraits alongside handwritten musings on ghosts.
[12] The piece featured both artists playing female newscasters for a fictional radio show, WKRH, and reporting on the news.
[13] Both artists, clad in berets, trench coats, and turtlenecks, touch upon subjects such as '60s and '70s feminism, queer politics, and mental health through various different activities: burning bras, in-depth interviews, and various news reports utilizing a giant pink microphone.
Burns, ginger brooks takahashi,[16] and is a nonprofit organization and activist group that aims "to establish sustainable economic relationships between artists and the institutions that contract our labor, and to introduce mechanisms for self-regulation into the art field that collectively bring about a more equitable distribution of its economy.
Alongside the sculptures and photographs, Hardy organized a performance called Untitled Runway Show on the exhibition's fourth-floor.
Outfitumentary is a documentary .... collection of self-portrait videos shot over ten years on a miniature DV camera from 2001 to 2011 and was premiered in 2016 at the Museum of Modern Art and at the International Film Festival Rotterdam.
[20][21][22] In 2020, Hardy exhibited a single ten-foot-long green, yellow, and pink-colored painting, resembling a maxi pad, at Reena Spaulings New York.