He is best known for his contributions in works such as Manchi Manasulu (1962), Lava Kusa (1963), Thiruvilaiyadal (1965), Saraswathi Sabatham (1966), Kandan Karunai (1967), Thillana Mohanambal (1968), Adimai Penn (1969), Balaraju Katha (1970), Athiparasakthi (1971), Sankarabharanam (1979), Saptapadi (1981), Sirivennela (1986), Sruthilayalu (1987), Sutradharulu (1989), Pelli Pustakam (1991), and Swathi Kiranam (1992).

Father Venkadachalam Bhagavathar and Mother Pichaiyammal[2] K. V. Mahadevan, also called by his honorific name Thirai Isai Thilagam (lit.

Another great characteristic from this scholar as it is known to everyone and open fact that he never asked lyricist to write lyrics for his earlier composed tunes.

"Sisurvethi, pasurvethi, vethiganarasamphanihi" is a popular Sanskrit axiom which says that Music has the power to impress a child, animal, and the universe alike.

As we can read from Climax song of film Sankarabharanam (1980 film), "Tatva Saadhana ku Satya Shodhana ku Sangeethame Sopanam" (Music is a Stair Case for attaining Enlightenment and truth discovery) "Swara Brahma" left no foot prints of his mother tongue when it comes to his scores in other languages.

Based on their faith, Sathya chitra insisted and retained "Mama" for N. T. Rama Rao movie Adavi Ramudu (1977 film).

Mama's composition "Krushi vunte Manushulu Rushulavutaaru" (Effort makes Humans Saints) stands testimony to all stake holders of this movie and to every one who believes in determination.

Contemporary musician P. Bhanumathi criticized "Mama" about his score for movie Sankarabharanam (1980 film) as lighter version Carnatic music Raga 's rendered by him.