Produced by C. V. Kumar of Thirukumaran Entertainment and K. E. Gnanavel Raja of Studio Green, the film stars Vijay Sethupathi and Madonna Sebastian.

The music is composed by Santhosh Narayanan, with Dinesh B. Krishnan and Leo John Paul serving as the cinematographer and editor respectively.

When the company she works for shuts down suddenly five months later, she faces financial hardship and is forced to move into a low-cost housing colony while searching for a new job, where her neighbour Kathiravan alias Kathir resides.

Facing pressure from her family over her career and wedding, Yazhini introduces Kathir to her parents as her boyfriend who is a successful manager in an IT firm.

Her parents decide to fix their marriage but change their mind after seeing Kathir thrashing two men opposite a temple, realising that he is a gangster.

[3][4] The film was also produced by K. E. Gnanavel Raja of Studio Green, with cinematography handled by Dinesh B. Krishnan and editing by Leo John Paul.

[7] He considered Samantha Ruth Prabhu as the lead actress,[6] but later decided on Madonna Sebastian as he wanted someone who had acting skills but could also showcase innocence onscreen.

[25] M Suganth of The Times of India gave three-and-a-half out off five stars saying "The stylish nonchalance of Vijay Sethupathi and the earnestness of Madonna Sebastian complement each perfectly that we root for these characters to succeed".

[27] Gautaman Bhaskaran gave three stars in his review for Hindustan Times saying "though the film is often predictable and ponderous, there are some interesting shots that lift the narrative".

[29] S. Saraswathi of Rediff gave three out of five stars saying "The best part is that, though the film revolves around Kathir and Yazhini, they are just small players in the larger story.

With riveting performances by the lead actors, a delightful script and the magic wielded by of director Nalan Kumarasamy and composer Santhosh Narayanan, the film is a sure winner".

He added, "the Kathir-Yazhini scenes accrue weight towards the closing portions, so much so that we find ourselves completing their stories in our heads during the drive home.