Kamal Bose (1915–1995) was an Indian cinematographer, who shot most of Bimal Roy classics, including Parineeta (1953), Do Bigha Zamin (1953), Bandini (1963), Devdas (1955) and Sujata (1960).
During his career, he won the Filmfare Award for Best Cinematographer record five times,[1] Bandini (B&W, 1964), Anokhi Raat (B&W, 1970), Khamoshi (B&W, 1971), Dastak (B&W, 1972), Dharmatma (1976).
Bose was an important part of auteur Bimal Roy's team, starting with Anjangarh (1948), one of the last major films of the New Theatres in Kolkata,[2] however Kolkata based film industry was now on the decline, thus Roy shifted base to Bombay (now Mumbai) along with his team, which included Hrishikesh Mukherjee, Nabendu Ghosh, Asit Sen, Bose and later Salil Chaudhury, and by 1952 he has restarted the second phase of his career with Maa (1952) for Bombay Talkies.
[4] Their association continued with Naukri (1954), Baap Beti (1954), Devdas (1955), Amaanat (1955), Sujata (1960), Parakh (1960) and Bandini (1963), which won Bose his first Filmfare Award was especially noted for his masterly use of black and white, to bring "texture and form in simplicity mixed with richness", especially in the way he captured the starkness and gloom of the prison environment, while depicting women at work.
[9] Roy died in 1966, thereafter Bose started working with Asit Sen, and went on to receive critical acclaim for his B & W cinematography in Apradhi Kaun?