Some believe that it originates from the island of Java where shadow puppet shows (wayang kulit) were played already as early as in the 11th century and arrived in the Ottoman Empire via traders.
In the 16th century, Ottoman Grand Mufti Muhammad Ebussuud el-İmadi issued a celebrated opinion allowing the performance of Karagöz plays.
Yet others believe that it originated from real events involving two masonry workers named Karagöz and Haci Ivat working in the construction of a mosque in the city of Bursa, Turkey in the early 14th century.
Karagiozis is a poor hunchbacked Greek, his right hand is always depicted long, his clothes are ragged and patched, and his feet are always bare.
The Heroics are tales based on tradition or real stories involving the times under Ottoman rule, and Karagiozis is presented as a helper and assistant of an important hero.
Most are formulaic and have the following layout, albeit with a wide improvisational variety, and often involve interaction with the audience: Some of the best known tales include: Some players have further introduced more characters, such as Karagiozis' old father, or Stavrakas' friend, Nondas.
They were moved with a stick attached to their 'back', except in the case of the figure of Karagiozis, Stavrakas and a few other characters whose arms or other limbs required separate movement.
These shows had more modern and educational themes, like for example Karagiozis living some myths of Greek mythology or visiting the moon and other planets.
[4] Since the 2000s, Karagiozis is not so popular as a choice of recreation for young kids and the number of puppeteers has diminished, but remains a significant and well known folkloric figure.