Karl Barth

[5][6] Barth's influence expanded well beyond the academic realm to mainstream culture, leading him to be featured on the cover of Time on 20 April 1962.

[7] Like many Protestant theologians of his generation, Barth was educated in a liberal theology influenced by Adolf von Harnack, Friedrich Schleiermacher and others.

Barth began to gain substantial worldwide acclaim with the publication in 1921 of the second edition of his commentary, The Epistle to the Romans, in which he openly broke from liberal theology.

[10] He influenced many significant theologians such as Dietrich Bonhoeffer who supported the Confessing Church, and Jürgen Moltmann, Helmut Gollwitzer, James H. Cone, Wolfhart Pannenberg, Rudolf Bultmann, Thomas F. Torrance, Hans Küng, and also Reinhold Niebuhr, Jacques Ellul, and novelists such as Flannery O'Connor, John Updike, and Miklós Szentkuthy.

They had a daughter and four sons, two of whom were Biblical scholars and theologians Markus (6 October 1915 – 1 July 1994) and Christoph Barth [de] (29 September 1917 – 21 August 1986).

While serving at Göttingen he met Charlotte von Kirschbaum, who became his long-time secretary, assistant and lover;[19] she lived in the family home for 37 years and played a large role in the writing of his epic, the Church Dogmatics.

[20] He was deported from Germany in 1935 after he refused to sign (without modification) the Oath of Loyalty to Adolf Hitler and went back to Switzerland and became a professor in Basel (1935–1962).

[21] Barth's striking out on a different theological course from that of his Liberal university teachers Adolf von Harnack and Wilhelm Herrmann was due to several significant influences and events.

[22] In August 1914, Barth was dismayed to learn that his venerated teachers including Adolf von Harnack had signed the "Manifesto of the Ninety-Three German Intellectuals to the Civilized World".

[24] In 1915, Barth and Thurneysen visited Christoph Blumhardt, Leader of the Bad Boll Christian Community and Social Democratic politician.

Barth also found in Blumhardt's pro-Socialist politics an inspiring encouragement for his own advocacy for the rights and unionization of Safenwil textile workers and alignment with Social Democratic values.

In addition, he continued to engage with the questions that other disciplines raised for the Christian faith, typically responding with a robust theological and Christ-centered approach.

Barth first began his commentary The Epistle to the Romans (German: Der Römerbrief) in the summer of 1916 while he was still a pastor in Safenwil, with the first edition appearing in December 1918 (but with a publication date of 1919).

In 1934, as the Protestant Church attempted to come to terms with Nazi Germany, Barth was largely responsible for the writing of the Barmen Declaration (Barmer Erklärung).

"[citation needed] The newspaper Neue Zürcher Zeitung carried his 1936 criticism of the philosopher Martin Heidegger for his support of the Nazis.

[31] In 1938 he wrote a letter to a Czech colleague Josef Hromádka in which he declared that soldiers who fought against Nazi Germany were serving a Christian cause.

[citation needed] Barth's theology found its most sustained and compelling expression in his five-volume magnum opus, the Church Dogmatics (Kirchliche Dogmatik).

Widely regarded as an important theological work, the Church Dogmatics represents the pinnacle of Barth's achievement as a theologian.

In the context of the developing Cold War, that controversial statement was rejected by anti-Communists in the West who supported the Christian Democratic Union of Germany course of re-militarization, as well as by East German dissidents who believed that it did not sufficiently depict the dangers of Communism.

[40] Barth wrote a 1960 article for The Christian Century regarding the "East–West question" in which he denied any inclination toward Eastern communism and stated he did not wish to live under Communism or wish anyone to be forced to do so; he acknowledged a fundamental disagreement with most of those around him, writing: "I do not comprehend how either politics or Christianity require [sic] or even permit such a disinclination to lead to the conclusions which the West has drawn with increasing sharpness in the past 15 years.

However, he was able to visit the Vatican and be a guest of the pope in 1967, after which he wrote the small volume Ad Limina Apostolorum (At the Threshold of the Apostles).

[42] Barth was featured on the cover of the 20 April 1962 issue of Time magazine, an indication that his influence had reached out of academic and ecclesiastical circles and into mainstream American religious culture.

In Church Dogmatics I/2, Barth advocates divine freedom in the incarnation with the support of Anselm's Cur Deus Homo.

[59] However, Barth asserted that eternal salvation for everyone, even those that reject God, is a possibility that is not just an open question but should be hoped for by Christians as a matter of grace; specifically, he wrote, "Even though theological consistency might seem to lead our thoughts and utterances most clearly in this direction, we must not arrogate to ourselves that which can be given and received only as a free gift", just hoping for total reconciliation.

[60] Barth, in the words of a later scholar, went a "significant step beyond traditional theology" in that he argued against more conservative strains of Protestant Christianity in which damnation is seen as an absolute certainty for many or most people.

Chapter VIII of Van Til's, Christianity and Barthianism (1962), critiques Barth's view of revelation and das Wort Gottes ('the Word of God').

1984 West German postage stamp commemorating the Barmen Declaration's 50th. anniversary
Karl Barth's Kirchliche Dogmatik : The original 'white whale' edition of the Church Dogmatics from Barth's study that features a custom binding from the publisher. [ 32 ]
Karl Barth's Church Dogmatics in English translation
Photo of Barth on the jacket cover of Karl Barth Letters
A desk in Karl Barth's old office with a painting of Matthias Grünewald 's crucifixion scene