Keep an Eye on Amelia (French: Occupe-toi d'Amélie) is a 1949 French-Italian comedy film directed by Claude Autant-Lara and starring Danielle Darrieux and Jean Desailly and Grégoire Aslan.

[1] One reviewer described it as a "lively adaptation of the popular Feydeau farce", "played with verve and charm by Danielle Darrieux", whose character is "an extremely personable young lady of not too difficult virtue".

[2] Another critic rated it highly; with a screenplay by Autant-Lara's regular collaborators, Jean Aurenche and Pierre Bost, he saw it as "a tour de force of virtuosity: the old play - about a rising cocotte in the Paris of 1900, who deceives her rich admirer, agrees to a mock marriage ceremony with an engaging rake to help him secure an inheritance, is herself deceived by a genuine ceremony, has the last laugh by signing the register under a false name and goes off to Venice with the young man on a lovers' trip - has been turned practically inside out.

It becomes a film within a play, the action starting in a Paris street, moving on to a stage, then to a series of stylised film sets, returning at intervals to the theatre and glimpsing the footlights; and it moves, with unfaltering invention and control, at breakneck speed.

The film's sets were designed by the art director Max Douy who won the decors award at Cannes.