[14] He participated in a survey of his 16mm films at the Walker Art Center, Minneapolis and exhibited an installation in the Project Room at Artists' Space, New York.

He returned to Asia in 1985, continuing his work in Japan, Hong Kong, Singapore, Indonesia, Thailand, and India.

His three-year project of videotaping in South Asia resulted in the Distance of the Outsider series of video works.

It was first exhibited at Kunsthalle Dominikannerkirche, "European Media Art Festival", Osnabrück, Germany and then traveled widely throughout Europe.

The Kiasma Museum of Contemporary Art, Helsinki, commissioned the interactive work "Head" for the exhibition "Alien Intelligence"[23] in 1999.

His video work "Un Chien Délicieux" was included in documenta X, Kassel, as part of a curated program titled "Beware: In Portraying the Phantom You Become One" ("Vorsicht!

A jouer au fantôme, on le devient (Musée National d'Art Moderne /Centre Georges Pompidou, 1997)".

[1] His work "Self Portrait as the Center of the Universe" (2001) was included in the historical overview exhibition "Art, Lies, and Videotape: Exposing Performance" at the Tate Liverpool in 2004.

[citation needed] A selection of his early films and video works was screened at Museum of Modern Art, New York as part of "TOMORROWLAND: CalArts in Moving Pictures" in 2006.

[citation needed] A solo show of his installation work "Eros and Thanatos Flying/Falling" (2006) was held at Mejan Labs, Stockholm in 2006, and his work "Box of Men" (2007) was included in "Kempelen - Man in the Machine" at Műscarnok, Budapest and traveled to ZKM Center for Art and Media, Karlsruhe later that year.