Kenneth Griffith

[1] He passed the 11-plus and attended Greenhill Grammar School in Tenby, where he met English literature teacher Evelyn Ward, who recognised his writing and acting talent.

[citation needed] Also in 1937, he made his first professional acting appearance when he was cast by Peter Hoare as Cinna the Poet in a modern-dress version of Julius Caesar at the Cambridge Festival Theatre.

[3] He became a regular jobbing repertory actor, making his West End theatre debut in 1938 with a small part in Thomas Dekker's The Shoemaker's Holiday.

Before training in Canada, he returned to see his grandparents in Tenby, who, at his request, gave him an English translation of Hitler's book, Mein Kampf so he could better understand the origins of the war.

[5] Other notable film roles included the murderous paedophile Seely in Revenge (1971), the gay medic Witty in The Wild Geese (1978) and a whimsical mechanic in The Sea Wolves (1980).

[5] Subsequent TV appearances included episodes of Minder and Lovejoy, and critically acclaimed performances in War and Peace (1963), The Perils of Pendragon, Clochemerle and The Bus to Bosworth, where his personification of a Welsh schoolteacher out on a field trip won him many accolades back in his homeland of Wales.

[7][8] His later film roles included the "mad old man" in Four Weddings and a Funeral (1994), Reverend Jones in The Englishman Who Went Up a Hill But Came Down a Mountain (1995) and the minister in Very Annie Mary (2001).

This resulted in a series of BBC films on subjects as diverse as the Boer War in Soldiers of the Widow (1967), Cecil Rhodes in A Touch of Churchill, a Touch of Hitler (1971), the controversial story of Thomas Paine in The Most Valuable Englishman Ever, David Ben-Gurion (The Light), Napoleon Bonaparte (The Man on the Rock), Pandit Nehru, Roger Casement (Heart of Darkness, 1992) and on one occasion a film commissioned by Thames Television on the story of the Three Wise Men of the New Testament, A Famous Journey (1979).

[1] His sympathetic portrayal caused some concern, given The Troubles and ATV boss Sir Lew Grade decided to withdraw the film, which was not shown publicly until 1994.

His documentary, Emily Hobhouse: The Englishwoman (1984), sympathised with Afrikaner women and children over their brutal treatment during the war, which was suppressed by the British media at the time..