His career spans from the 1950s to today, with projects ranging from starting doo-wop groups to music supervising to creating solo albums.
Born in Brooklyn, Vance grew up hanging around the famous Brill Building, the Tin Pan Alley song machine, and started his first vocal group, the Harbor Lites, at 15.
[6] In 1969, they self-produced the album Sands of Time, featuring songs originated by the Drifters ("This Magic Moment") and the Ronettes ("Walkin' in the Rain").
[8] In 1967, the songwriting duo of Walter Becker and Donald Fagen came to the Brill Building to sell their songs, and ended up knocking on Vance's door.
"[2]: 17–18 After this, Vance began doing session work and producing, including albums by Toni Basil, Danny O'Keefe (American Roulette), and Diane Keaton.
[9] He was the music supervisor for the movies Eddie and the Cruisers, Animal House (which also featured an uncredited Robert Cray as bass player with fictional group, Otis Day and the Knights) and American Hot Wax with Tim McIntire, Jay Leno, and Fran Drescher.
He wrote the theme for the score, produced the soundtrack album (which made the Top 40), and appeared in the movie as "Professor La Plano" to lead his fictional group, the Planotones, in a performance of "Rock and Roll Is Here to Stay".
[12] Vance also produced[13] and commissioned the soundtrack for The Warriors, curating a diverse lineup of artists including Arnold McCuller, Barry De Vorzon, and backup vocals from a then-unknown Luther Vandross.
[16] He booked Aretha Franklin and Prince, as well as James Brown, who on his only appearance on the show performed for far longer than his allotted time, forcing the producers to go to a commercial while he was still singing.
[17] In addition to his appearance in American Hot Wax, Vance has also played bit parts in films including Eddie and the Cruisers, Billy Bathgate, and Hurlyburly.
[26] Radio disc jockey Jerry Blavat said in 2011 that Vance has "the ability to take a song, which was a hit in the '50s or early '60s and with his style make it fashionable for a new audience that hears it in a different way.