Keren Cytter

Their first production History in the Making – The True Story of John Webber, which was based on a wide range of influences including Pina Bausch, Samuel Beckett, Disney on Ice, Michael Jackson, Yvonne Rainer and the 1980s dance-floor filler Lambada, went on an international tour and was presented in Tate Modern's Turbine Hall in London, The Kitchen in New York City, Tramway in Glasgow and Hebbel am Ufer in Berlin.

The aim of the organization is to develop projects (performances, exhibitions, printed matter, meetings) that cannot necessarily be realized within traditional institutional formats or frameworks.

[7] Later that year she wrote and directed the play Show Real Drama, produced by APE and partly based on the lives of its two actors, Susanne Meyer and Fabian Stumm.

In the piece, which uses videos and repetitive dialogue and movements creating a fractured yet empathetic storyline, they are struggling with the demanding entertainment business while their relationship is slowly falling apart.

The production met with great success, the Houston Chronicle calling it "intriguing (...) something deconstructionist architect Frank Gehry might conjure if he were a playwright; a story pulled apart at the seams then re-configured with cool wit and 21st-century angst."

[12] In 2013 Cytter collaborated with musicians Keira Fox, Charlie Feinstein and David Aird on Vociferous, a fluid combination of musical concert, video work and performance which was presented at the ICA Institute of Contemporary Art, London.

Adrian Searle wrote in his The Guardian review: "As a mix of live performance and video, the recent collaboration between Adam Curtis and Massive Attack at the Manchester International Festival set a standard.

Published by APE, it has so far featured Nora Schultz, John Kelsey and writings of Josef Strau, Matthew Dickman, Roman Baembaev, Roger van Voorhees and Sylvia Mae Gorelick.

"[19] Vladan Petkovic wrote in Cineuropa “Like a Beckett drama for the digital age, The Wrong Movie deals with existential questions, such as the feeling of loss and loneliness in a constantly connected world.