The Lower Paleolithic evidence consists of some hand axes found in the Gakia area to the east of the city.
The region was also one of the first places in which human settlements including Asiab, Qazanchi, Sarab, Chia Jani, and Ganj-Darreh were established between 8,000 and 10,000 years ago.
[13][14] Remains of later village occupations and early Bronze Age are found in a number of mound sites in the city itself.
Under Seljuk rule in the eleventh century, it became the major cultural and commercial center in western Iran and the southern Kurdish-inhabited areas as a whole.
The Safavids fortified the town, and the Qajars repulsed an attack by the Ottomans during Fath Ali Shah's rule (1797–1834).
The city's altitude and exposed location relative to westerly winds makes precipitation a little bit high (more than twice that of Tehran), but at the same time produces huge diurnal temperature swings especially in the virtually rainless summers, which remain extremely hot during the day.
Highest recorded temperature: 44.1 °C (111.4 °F) on 13 July 1998Lowest recorded temperature: −27.0 °C (−16.6 °F) on 6 February 1974[33] Kermanshah sights include Kohneh Bridge, Behistun Inscription, Taghbostan, Temple of Anahita, Dinavar, Ganj Dareh, Essaqwand Rock Tombs, Sorkh Deh chamber tomb, Malek Tomb, Hulwan, Median dakhmeh (Darbad, Sahneh), Parav cave, Do-Ashkaft Cave, Tekyeh Moaven al-molk, Dokan Davood Inscription, Sar Pol-e-Zahab, Tagh e gara, Patagh pass, Sarab Niloufar, Ghoori Ghale Cave, Khajeh Barookh's House, Chiyajani Tappe, Statue of Herakles in Behistun complex, Emad al doleh Mosque, Tekyeh Biglarbeigi, Hunters cave, Jamé Mosque of Kermanshah, Godin Tepe, Bas relief of Gotarzes II of Parthia, and Anobanini bas relief.
Taghbostan is a series of large rock reliefs from the era of Sassanid Empire of Persia, the Iranian dynasty which ruled western Asia from 226 to 650 AD.
This example of Sassanid art is located 5 km (3 mi) from the city center of Kermanshah in western Iran.
The carvings, some of the finest and best-preserved examples of Persian sculpture under the Sassanids, include representations of the investitures of Ardashir II (379–383) and Shapur III (383–388).
[citation needed] Like other Sassanid symbols, Taghbostan and its relief patterns accentuate power, religious tendencies, glory, honor, the vastness of the court, game and fighting spirit, festivity, joy, and rejoicing.
[citation needed] Sassanid kings chose a beautiful setting for their rock reliefs along an historic Silk Road caravan route waypoint and campground.
"[citation needed] One of the most impressive reliefs inside the largest grotto or ivan is the gigantic equestrian figure of the Sassanid king Khosrow II (591-628 AD) mounted on his favorite charger, Shabdiz.
[citation needed] The inscription includes three versions of the same text, written in three different cuneiform script languages: Old Persian, Elamite, and Babylonian.
In effect, then, the inscription is to cuneiform what the Rosetta Stone is to Egyptian hieroglyphs: the document most crucial in the decipherment of a previously lost script.
[citation needed] The inscription was illustrated by a life-sized bas-relief of Darius, holding a bow as a sign of kingship, with his left foot on the chest of a figure lying on his back before him.
[citation needed] Darius is attended to the left by two servants, and ten one-metre figures stand to the right, with hands tied and rope around their necks, representing conquered peoples.
One figure appears to have been added after the others were completed, as was (oddly enough) Darius' beard,[citation needed] which is a separate block of stone attached with iron pins and lead.
[38] Surrounding the interior yard are rooms, brick pillars making the iwans(porches) of the house, and step-like column capitals decorated with brick-stalactite work.
These industries include petrochemical refinery, textile manufacturing, food processing, carpet making, sugar refining, and the production of electrical equipment and tools.