It tells the story of twin sisters Kimmy and Dora, both played by Eugene Domingo in their quest to find love in South Korea, only for them being stalked by a ghostly figure.

At a gala event for the GoDongHae conglomerate's new airline, Kimmy, daughter of company chairman Luisito, is shocked to find that her outfit comically matches the decorations put up by her younger twin Dora, and fires the staff in an outrage.

Soon after, Kimmy and Dora find the package received by their father, revealed to be Sang Kang-kang's old photo album.

Lolo, a child shaman, visits the twins and they, along with Manny, a young friend of Barry's, Gertrude, Kimmy's secretary, and Elena, the family maid, attempt a ritual to confront Sang Kang-kang but are overwhelmed by the ghost.

At the same time, Kimmy, Dora, and the others complete the ritual and manage to seal Sang Kang-kang inside the photo album, freeing their father and boyfriends in the process.

[5][6] Also, on the January 4 episode of Kris TV where the lead star Eugene Domingo and director-producer Joyce Bernal revealed that they are already looking for a location in South Korea for the set of The Temple of Kiyeme.

[8] Filming took place at major landmarks of Seoul, such as Gwanghwamun Plaza, Cheonggyecheon, Myeongdong, Namsan Tower, and Doseonsa from January 29 until February 8.

[9] In a separate interview, Bernal and lead cast, Eugene Domingo, expressed their satisfaction over the outcome of the Korean sojourn, and emphasized how the winter season afforded them to shoot several scenes in a blanket of snow.

[10][11] The film was supposed to air in April but was moved back to June to give way for Every Breath U Take and Born to Love You.

[14] She also stated, "...Eugene Domingo is very consistent in everything she does[...]KD uses some of the old tricks (celebrity cameos and hilarious costumes) along with new ones that come with a larger budget like clever special effects and shooting in foreign locations.

"[14] Gelo Gonzales of FHM Philippines also reviewed the film stating, "Kimmy Dora 2 attempts some genre-bending of its own.

[15] However, she is not quite impress on how the two genres are mixed stating, "... slightly jarring, and by the end, you find yourself fatigued from the constant tone shift.

[16] He stated, "Joyce Bernal's Kimmy Dora and the Temple of Kiyeme misses the entire point.

It is just one humongous mistake that sadly betrays whatever hope the success of Kimmy Dora: Kambal sa Kiyeme (2009) created for the Philippine film industry.

None of this stuff is remotely funny, and the film losing all of its comedic momentum whenever the plot gives its attention to all this overly familiar genre nonsense.