Thus: C D E-flat F G A-flat B c Avarohana : S' N d P M g R S There is no strict Vadi-Samavadi, but Re, ga, pa and dha are important.
It is similar to an ancient version of Pilu[2] (Ragam Darbarikaanada touches) Examples Bor, Joep (c. 1997), The Raga Guide, Charlottesville, Virginia: Nimbus Records, archived from the original on 2009-07-15
(1995), The Rags of North Indian Music: Their Structure & Evolution, Bombay: Popular Prakashan.
Patwardham, Narayan Rao (1972), Tarala Prabandhavali, Rajasthan: Vanasthali Vidyapith.
Ratanjankar, S.N., Abhinava Gita Manjari, Bombay: Popular Prakashan.