[8] Jason Lymangrover, writing for AllMusic, commented, "As she emerges from the broken cocoon of Detroit and German techno influences into a unique artist of her own – one who is slightly experimental but never lacking a head-bobbing hook – it's hard to argue when she quips, 'Frenchies do it better.

This is unlikely to change, despite a more pop approach for Batbox [...] The music remains niche, industrial and Teutonic, over which Hervé delivers idiosyncratic observations on her life and gothic pursuits.

wrote, "The production work is exceptional, with a greater depth of sounds and textures put into the beats and synths, the influences seemingly drawn from the best electro, tech and progressive of the last few years.

"[10] Conversely, Resident Advisor's Stéphane Girard said that Miss Kittin "occupies an ungraceful and uncomfortable middle ground between Chicks on Speed and Ellen Allien, and BatBox, unfortunately, won't really do anything to change that nor rally anyone to her solo career's cause.

'"[11] In addition, Luciana Lopez of XLR8R opined, "Even the glossy, high-quality production can't give this album the energy to rise above the middling bar it sets for itself.