Kleisma

In music theory and tuning, the kleisma (κλείσμα), or semicomma majeur,[1] is a minute and barely perceptible comma type interval important to musical temperaments.

It is the difference between six justly tuned minor thirds (each with a frequency ratio of 6/5) and one justly tuned tritave or perfect twelfth (with a frequency ratio of 3/1, formed by a 2/1 octave plus a 3/2 perfect fifth).

It can be also defined as the difference between five justly tuned minor thirds and one justly tuned major tenth (of size 5/2, formed by a 2/1 octave plus a 5/4 major third) or as the difference between a chromatic semitone (25/24) and a greater diesis (648/625).

The interval was named by Shohé Tanaka after the Greek for "closure",[2] who noted that it was tempered out to a unison by 53 equal temperament.

[2] Larry Hanson[4] independently discovered this interval which also manifested in a unique mapping using a generalized keyboard capable of accommodating all the above temperaments as well as just intonation constant structures (periodicity blocks) with these numbers of scale degrees.

Kleisma as minor thirds versus one twelfth on F : D double flat vs. C .