[1] Ayinla Kollington ranks alongside his friend and competitor Ayinde Barrister as the two most important artists to dominate Fuji music from its inception in the 1970s through to the 1990s, by which time it had grown to become one of the most popular dance genres in Nigeria.
[2] Between the mid-1970s and late '80s, Kollington ranked with Barrister as the leading star of Nigerian fuji music – such as apala and waka, a Muslim-dominated relation of juju, retaining that style's vocal and percussion ingredients but abandoning its use of electric guitars in order to obtain a more traditional, roots-based sound.
In 1982, when fuji was beginning to seriously rival juju as Nigeria's most popular contemporary roots music, he set up his own label, Kollington Records, through which he released no less than 30 albums over the next five years.
As the popularity of fuji grew, and the market became big enough to support both artists, Kollington and Barrister's enmity diminished.
A new and equally public rivalry emerged in the mid-'80s, this time with "Queen of Waka" star Salawa Abeni, who exchanged bitter personal insults with Kollington over a series of album releases and counter-releases.