It was in Vienna and Munich, where he became influenced for a while by the works of classicist German painters Asmus Jacob Carstens, Joachim Christian Reinhart, Peter Fendi, Joseph Anton Koch, Gottlieb Schick and Bonaventura Genelli.

Danil had tried his skill in every genre, including portraiture, landscape, flower-painting, scenes of modern life and figure subjects.

From Munich, Danil returned to Nagybecskerek (modern-day Zrenjanin), where he resumed the style of Teodorović, and shortly afterward Veliki Bečkerek became his permanent residence.

From 1834 to 1873 Danil threw himself into the Biedermeier and the sacral painting based on the school of Vienna[10] Nazarene movement, and became one of its regional leaders.

[15][16][17] His work can be found in the following public collections: Danil is remembered as a master of technique, and his portraits reveal an extraordinary study into the characters of his subjects.

[16] Nevertheless, for some time after his death his name was almost forgotten by the public, and it is only in the twentieth century that he has been conceded the position among the masters of the modern Serbian school which is his due.

On the basis of his early art work in Temișvar, Konstantin Danil is also claimed by three other nations, Romania, Austria and Hungary.