They organized concerts, staged readings and released a single and a newspaper that deals with forms and possibilities of artistic (musical) intervention in politics (including contributions from: Anarchist Academy, Attila the Stockbroker, F.W.

Bernstein, Philip Elston, BüroBert, Dr. Ralf Bohn, Günther Jacob & Wohlfahrtsausschuss Hamburg, Erinna König, Didi de Paris, Mayo Thompson, Andrea Zeitler et al.).

In the spring of 1994 they organized a spoken word evening in Düsseldorf with Celestine Raalte, Eddie Kagie, Attila the Stockbroker, Harald Sack Ziegler, Willem Jacobs and Cor Gout.

The band played instrumental music that was influenced by dub and electronica, but also by the 'Düsseldorf Schools' of the 1970s (Kraftwerk, NEU!, la Düsseldorf) and the early 80s (new wave, Neue Deutsche Welle, Ratinger Hof).

This was due to their combination of analog and digital instruments and sounds–considered remarkable at the time – and the fact that, live, the band construct their pieces around variable patterns and vary them.

Kreidler's next release, the single Kookaï, was a surprisingly melodic song, which reminded Spex magazine of "night rides through downtown Dusseldorf and the effect of deserted shopping districts.

Afterwards they released the EP Fechterin, which was named Single of the Week in the Melody Maker: "The three songs are the most precise exercises in exponential electronics I’ve heard since Kraftwerk's Hall of mirrors, and just as danceable".

The Roland Juno synthesizer can clearly heard as a lead instrument in the tracks, the bass lines are reminiscent of music from the Factory label, sound effects recall post punk and sequencers suggest the Synthpop of the 1980s.

Later that year, Kreidler separated from the record company Play It Again Sam in a (legal) dispute following the departure of their A&R and Kiffsm label manager Jutta Bächner.

In 1999 the band had taken a room in an abandoned post office building behind Düsseldorf Hauptbahnhof, the central train station in Düsseldorf, near Kling Klang Studio, as part of the Innenstadt Mainstream e.V., their artist and musician association,[9] which also included the project space for electronic music EGO, the artist collective hobbypopMUSEUM, the musicians L@N, Antonelli Electr., The Bad Examples as well as Background Records.

Three songs featured voice/vocals, one with the British musician Momus and another with Argentinean Leo Garcia: "The group's work has never sounded this realized" wrote Jason Birchmeier, Allmusic.

In addition to a performance at the Knitting Factory, the primary reason for the trip was an invitation from the Düsseldorf photographer Andreas Gursky: he wanted the band to open his retrospective at the Museum of Modern Art with a concert.

In April the video clip for La Casa made the final rounds of the Muvi-Clip Awards at the International Short Film Festival Oberhausen.

This is thought to have had an effect on the album that appeared the following year, Eve Future Recall: "With almost mathematical meticulousness, Kreidler have recorded percussive pop gems which are related to Japanese folklore, but also to the metallophone music of Bali.

With the exception of the soundtrack composed by Klein and Reihse for Alexandra Sell's film Durchfahrtsland in 2005 and occasional concerts, the individual members were more involved in their various side projects.

In Spring 2011 Kreidler released Tank on the label Bureau B, up to then mostly famous for its delicate re-issues of classic albums of German electronic and Krautrock artists.

"[22] Bomkat stated: "Anyone who has been interested in the music scene's move towards shaky, dirty post-punk, disco and early electronic progression recently should check this without delay.

[23] Jus Forrest wrote in Igloo magazine: 'Its earthy wooded areas are met with shiny melodic twinkle, driving rhythm, and small droplets from the heavens.

[33] Andreas Reihse and Detlef Weinrich produced techno as Binford,[34] as April & Seasons they remixed Kante (Band) [de], and with Alex Paulick and Rob Taylor they called themselves Dark Park.

The album ABC recorded in Tbilisi features a Georgian choir, Flood Nesidano Namises and Ricardo Domeneck on vocal duties, with Eric D. Clark on Spells and Daubs and Khan Of Finland and Natalie Beridze on Twists (a visitor arrives).