Krishnarao Phulambrikar

Phulambrikar, a recipient of the Sangeet Natak Akademi Fellowship,[2] was also the music composer of several movies, including Dharmatma, a 1935 Hindi film starring Bal Gandharva, a renowned Marathi singer[3] and Padosi, a 1941 directorial venture of V.

[6] He also ventured into Marathi theatre as a child artist by performing as an actor-singer in Sant Sakhu, a musical drama produced by Natyakalapravartak Mandali.

[9] Besides his career as a classical vocalist and as a film music composer, he scored music for several plays which included Menaka, Savitri, Asha-Nirasha, Amritasidhhi, Kanhopatra, Nand Kumar and Vidhi Likhit for Gandharva Sangeet Natak Mandali, a drama company founded by Bal Gandharva, during the period 1915–1933 and acted in a few of them.

Later, he also composed music for a few plays such as Kulavadhu, Ek Hota Mhatara, Kone Eke Kali and Bhagyoday for Natyaniketan where the lead singer actress was Jyotsna Bhole.

Ram Marathe, Yogini Joglekar, Saraswati Rane, Haribhau Deshpande, Anjanibai Kalgutkar, Madhusudan Kanetkar, Jaymala Shiledar, Dr.Pabalkar, Bapurao Ashtekar, Dattopant Bhope, Pitre buwa, Suhas Datar, Sudhakar Joshi, Ravindra Joshi, Mohan Karve, Rangnath Karkare, Shivram Gadgil, Balwant Dixit and his daughter, Veena Chitko are some of his notable disciples.

[15] Soon after he received the Sangeet Kalanidhi title from Dr. Kurtkoti, the Shankaracharya of Karvir Peeth, he was contracted by Prabhat Film Company[16] owned by V. Shantaram and other partners,[17] to compose music for its forthcoming film, Dharmatma, where he was re-united with his old associate, Bal Gandharva, who played the role of Sant Eknath, the protagonist of the movie.

[20] Wahan, another Prabhat production released in 1937, this time with a new director, K. Narayan Kale, was his next film,[21] followed by the musical Gopal Krishna in 1938 directed by Damle and S Fattelal.

[23] He played the lead role of Sant Savata Mali in the movie Bhakticha Mala released by Rajkamal Kalamandir.

Many aspiring composers of that period - Vasant Desai, C.Ramchandra, Sudhir Phadke, Purushottam Laxman Deshpande, Snehal Bhatkar, Dinkarrao Amembal (alias D Amel) and Gajananrao Watve got inspired by his school of musical thought.