Every Moment) is a 1991 Indian Telugu-language road comedy heist film written and directed by Ram Gopal Varma.

The plot follows Satya (Sridevi), a young woman who is hounded by a gang of robbers headed by Nayyar (Rawal) and the police.

Varma experimented with close-to-life performances by the lead actors, which bought a rather fictional storyline a sense of authenticity at a time when the industry was being filled with unnecessary commercial fillers.

Tortured for information, Narayana reveals the clue, but before they can retrieve it, the envelope is taken by Satya, a middle-class working woman.

While on the phone, the thug gets up again, only to fall dead, a knife lodged in his back, which later is shown as being thrown by Narayana's brother.

While relaxing at a Dhaba, Satya enters the place and calls her friend to inform her about what happened, unaware that the police were listening in.

Chandu and Satya face a few challenges in avoiding the police, Narayana's brother, and Nayar in the forest, gradually growing closer to each other.

Escaping the police led by Inspector Yadav and Narayana's brother, Chandu deduces that the clue to the money is hidden in that envelope.

While Chandu goes off to meet his friend and decide what to do with the money they found, Satya is left to guard the henchman, who breaks free and subdues her, then calls Nayar.

Chandu decides to keep half the money and return the rest but is ambushed by Nayar's henchmen and brought to his apartment, where he is forced to hand over the receipt.

The song "Jaamu Raatiri," with lyrics by Sirivennela Seetharama Sastry and sung by S. P. Balasubrahmanyam and K. S. Chithra, is regarded as a timeless classic.

[12] The new version featured vocals by Hemachandra, Kaala Bhairava, Manisha Eerabathini, Deepu, Damini, Mounima, Shruthi, Noel Sean, and Prudhvi Chandhra.

[16] Griddaluru Gopalrao of Zamin Ryot wrote his review on 18 October 1991, appreciating the performances of the lead cast and the action sequences.

"[16] In July 2020, The News Minute's Balakrishna Ganeshan opined that the Kshana Kshanam tells the story from a female perspective which is rare in Indian cinema, however, he added that the film still suffers from male saviour complex.