Kuningas lähtee Ranskaan (English: The King Goes Forth to France) is an opera in three acts by Aulis Sallinen, based on the novel of the same title by Paavo Haavikko, who also wrote the libretto.
In 1973 Paavo Haavikko wrote a play for radio and in 1977 rang Sallinen to ask whether, if the composer was considering writing another opera, this story could become the libretto?
Eventually, having read the play, Sallinen came to like the ambiguous blend of tragedy and irony, wit and cruelty; he began composing in the summer of 1980.
[4] With Kuningas lähtee Ranskaan Sallinen moved away from the overtly Finnish subject matter of his previous operas, creating a universal allegory.
The composer has a witty way of evoking ceremonial moments... a wild arrangement of a Schubert Marche Militaire in D is put to dark dramatic use... there is sweep and pace – in short it shows Sallinen’s innate theatricality.
"[5] Rodney Milnes describes the work as both poetic and disturbing: a journey from farcical, inconsequential and irreverent comedy moving through increasingly sardonic episodes to the final image of a brutalised, unstoppable army challenging the audience.
Scene 2 The prince is concerned by the strange nature of the spring, but the prime minister brushes aside his worries and tells him to make the most of his youth and select a bride.
The prince decides to assume power, ordering his fleet away from the English Channel, where it had been breaking up the advancing ice, and plans to march to France, crossing the frozen sea.
Act 2 Scene 5 Arriving at the French coast, the Caroline with the Mane awaits the King and her marriage, while the other ladies sing to her with barely concealed sarcasm and eroticism.
Scene 6 As they march through the north of France, the prime minister remarks that the army's route near to Crecy follows that of King Edward III.
The prime minister criticises the King's economic policy (the crown and the queen have been pawned) and his adventurism, fearing a repeat of the Hundred Years War.
The King orders their death, but after Caroline with the Mane and the Queen beg him to relent he makes the burghers members of the War Tribunal.