Léna Mill-Reuillard

[1] She is most noted as a two-time Canadian Screen Award nominee for Best Cinematography in a Documentary, receiving nods at the 4th Canadian Screen Awards in 2016 for Welcome to F.L.

)[2] and at the 8th Canadian Screen Awards in 2020 for City Dreamers,[3] and a Prix Iris nominee for Best Cinematography in a Documentary at the 24th Quebec Cinema Awards in 2022 for Sisterhood (Ainsi soient-elles).

[4] Her other film credits have included the films The Cut (La Coupe), Still Night, Still Light (Mes nuits feront écho), Pre-Drink, A Colony (Une colonie), No Ordinary Man, Fanmi, Joutel, Noemie Says Yes (Noémie dit oui) and Days (Les Jours).

[1] She is an alumna of the Université du Québec à Montréal.

You can help Wikipedia by expanding it.This article about a Canadian cinematographer is a stub.