Walter Raim, a junior operative in an intelligence agency, is attracted by a provocative blonde in a night club, but she will not give him her name or telephone number.

"[4] Lucas also noted that Sight & Sound Alain Robbe-Grillet is "said to be rigorously protective of his films -- despite their exploitable elements of sex, mystery, fetishism and even supernatural horror -- not wishing them to become associated with the similar though less cerebral works of fellow oneirics and eroticists like Jean Rollin and Jess Franco; consequently, they have had virtually no authorised presence on home video apart from an academically issued limited edition of SECAM tapes in the 1980s.

"[4] but that the film still "shares the self-reflexive sense of humour of Robbe-Grillet's Trans-Europ Express and that "several of (cinematographer) Alekan's images are appropriately captivating.

"[4] Michael Brooke (Sight & Sound) noted that despite the DVD cover's comparison to David Lynch's Eraserhead, La Belle captive was "Alain Robbe-Grillet's most explicit tribute to the original French Surrealist movement.

", noting that "Robbe-Grillet constantly undermines narrative, temporal and spatial expectations at every turn while teasing the viewer with iconography drawn from Magritte, American thrillers, Murnau's Nosferatu and much else.

It's tempting to assume that the somewhat vacant lead performances are absolutely as intended, the better to offset Daniel Emilfork's grotesque police investigator, smirking at knowledge that he's withholding from everyone else.