Marie-Josephte Corriveau

Despite an official recording of the cause of death being from kicks of horses' hooves, and a speedy burial, rumours and gossip of murder spread rapidly through the neighbourhood.

Following the requests of those living nearby, an order from the military commander of the district of Quebec, James Murray, addressed to the captain of the militia of Pointe-Lévy, permitted its being taken down and buried.

[13] The post-mortem exhibition of Corriveau's remains at a busy crossroads (a practice also in use under the French regime, and reserved in England for those found guilty of the most serious crimes);[14][better source needed][Note 4] the repercussions in the trial; the rumour that her father would be convicted of murdering Dodier at his daughter's instigation; and the gossip which grew up around the circumstances of the death of her first husband all stirred up the popular imagination and became legends still told today in the oral tradition — increasing the number of murdered husbands to as many as seven and likening la Corriveau to a witch.

The 1851 discovery of the iron cage buried in the cemetery of Saint-Joseph Parish (now the Lauzon district) served to reawaken the legends and the fantastic stories, which were amplified and used by 19th-century writers.

The first, in 1863, Philippe Aubert de Gaspé in Les Anciens Canadiens, has a supernatural Corriveau hanging in the Pointe-Levy cage that terrorizes one night a passer-by conducting a Witches' Sabbath and a will-o'-the-wisp at the Île d'Orléans.

Writers and historians such as Louis Fréchette and Pierre-Georges Roy have tried to give Corriveau's history, but without completely separating the facts from the anachronistic fantasies added in legend and novels.

[19][Note 5] Latest access date of external links: 17 April 2010 Archive documents Oral tradition Song Sculpture Popular culture Animated film Commercial use

gibbet
The gibbet in which Corriveau was exhibited after her execution, the "cage" of Corriveau
Book illustration
La Corriveau, in her cage, attacking Father José ( José's Nightmare ), illustration by Henri Julien for an edition of Anciens Canadiens by Philippe Aubert de Gaspé )
Book illustration
Caroline de Saint-Castin (right) pressing to her lips the poisoned bouquet offered by la Corriveau (left). Late 19th-century illustration by J. W. Kennedy for an American edition of The Golden Dog by William Kirby.