[9] Prezzolini stopped his writings in the magazine in 1912 due to disagreements with other significant contributors, including Papini, over Italy's intervention in the Libyan war.
[10] Soon after its inception La Voce appeared as the most influential forum for dissenters in Italy to discuss "social problems created by the new forms of human coexistence in the new industrial world.
[4] The ultimate goal of the magazine was to produce involved readers having social awareness[13] and to improve spiritual unity of all Italians.
[12] Ardengo Soffici's book Primi principi di una estetica futurista (Italian: First principles of a futurist aesthetic) was serialized in the magazine between February and December 1916 before its publication by the publishing house Vallecchi in 1920.
[3][10] Italian writers and poets Vincenzo Cardarelli, Ardengo Soffici, Clemente Rebora, Giovanni Amendola and Alessandro Casati were among the regular contributors to the magazine.
[11][19][20] Of them Ardengo Soffici published articles on the Paris art scene focusing on Gustave Courbet, Henri Rousseau, Pierre-Auguste Renoir and Pablo Picasso.