[2] Allen described her flat as "London's premier smoking salon", and her role of "landlady to many of the capital's more creative musicians" spawned her honorary title of "Lady".

[1][5][6] By 1970 June was combining her painting, poetry and music into multimedia presentations, and in 1972 she gave performances at a number of venues, including the International Carnival of Experimental Sound in London and the Edinburgh Festival.

[3] Later that year she recorded Lady June's Linguistic Leprosy, an album of her poetry to music by Ayers, one of her tenants, and Brian Eno, who lived nearby.

[3] The recording was made in the front room of her flat in Vale Court with Ayers, Eno and Pip Pyle,[7] and reportedly cost £400.

[3] Richie Unterberger at AllMusic called the album "an eccentric piece of work" with songs that are "odd, whimsical, rather surrealistic spoken poems, delivered in a quirkily aristocratic manner".

[1] An obituary in The Independent called Lady June "a great British eccentric and cosmic prankster", and said that her "most achieved performance was herself: she succeeded in turning her existence into living art, bristling with humour.