In the 1850s, it was replaced by a modern, industrial brewery by brewer Christian Ditlev Friedel (1817-1882) and Frederik Marcus Knuth.
6 is not part of the heritage listing but registered with "high preservation value" (høj bevaringsværdighed).
A smock mill was constructed on the bastion by Hans Nielsen and Lorents Krøyer in 1683.
[1] At the foot of the bastion was a combined distillery and tavern frequented by the many Dutch farmers from Amager who came to Copenhagen on market days to sell their produce in Amagertorv.
It was still jointly owned by judge Hans Nielsen and Lorenz Krejer at that time.
Krøyer and Raaben responded by purchasing another windmill constructed by Peder Hansen Quist on Sophie Hedevig's Bastion in 1687.
203B (now Langebrogade 6) was used for the construction of a modern industrial brewery by Christian Ditlev Friedel (1817-1882)).
It was a four-storey building complex and was powered by steam engines.The count and former Minister of Foreign Affairs Frederik Marcus Knuth owned the adjacent property.
In 1862, Friedel sold both his breweries to Knuth for 100,000 rigsdaler as part of a sale-and-lease back scheme.
Knut contributed with the needed premises in Rabeshave in Christianshavn as well as up to 6,000 Danish rigsdaler in funding for the necessary materials and installationswhile Sødring according to their contract would be responsible for the daily operations of the enterprise.
Ge initially purchased the brewery in Glostrup from Knuth's heirs for 18,000 rigsdaler.
In 1860, Hansen and Frederik Vilhelm Schytte [da] went on to buy Rabeshave for 80,000 rigsdaler.
From 1870 to 1879, Søren Anton van der Aa Kühle served as manager of Rabeshave Brewery.
K. c. Hansen was one of the largest landowners in Glostrup as well as the owner of Ballerup Inn and property in Copenhagen.
They converted it into a theatre with the actor Ferdinand Schmidt as artistic director, renaming it Nørrebros Theater.
In 1891, Rabeshave merged with 11 other breweries under the name De Forenede Bryggerier.
[7] Eiedemann's company was after his death in 1927 continued by his son Knud Johannes Wiedemann (1885-).
The pitched red tile roof is pierced by four robust brick chimneys.