This section shows the emperor in his triumphal car, and was part of a tradition depicting imaginary "triumphs" or real processions, such as royal entries.
The monumental projects reflect Maximilian's position as Holy Roman Emperor, and link him to the triumphal arches and triumphs of Ancient Rome.
Two blocks depict a large carriage or chariot in which Maximilian sits alone, holding a sceptre and a palm and wearing the imperial robes and the crown of the Holy Roman Empire and surrounded by the four cardinal virtues - Iustitia (justice), Fortitudo (fortitude), Prudentia (prudence) and Temperantia (temperance).
Each horse is attended by a female figure carrying a wreath: from rear to front, "Providentia" (providence) and "Moderatio" (moderation), "Alacritas" (quickness) and "Opportunitas" (opportunity), "Velocitas" (speed) and "Firmitudo" (firmness), "Acrimonia" (sharpness/keen-ness/vigor) and "Virilitas" (virility), "Audacia" (audacity) and "Magnanimitas" (magananiminty), and "Experientia" (experience) and "Solertia" (skill).
Lettering above explains the iconography, and the front pair of horses are accompanied by a text recording the commission from Maximilian to Pirckheimer dated Innsbruck, 1518.