Lawrence Brownlee (born November 24, 1972) is an American operatic tenor particularly associated with the bel canto repertoire.
Describing his voice, Speight Jenkins, general director of the Seattle Opera, said: "There are other singers that sing this repertory very well, but I don't think anyone else has quite as beautiful a sound and as rounded a tone," and praise his "incredible top notes", adding about his high F (F5) in "Credeasi, misera": "With him it's not a scream, it's a beautiful sound.
[1] He has subsequently appeared in Il Barbiere in Vienna, Milan, Berlin, Madrid, Dresden, Munich, Baden-Baden, Hamburg, Tokyo, New York, Washington, San Diego, Seattle, and Boston.
He has also received acclaim in Rossini's Armida, alongside Renée Fleming,[7] in the famously challenging role of Tonio in La fille du régiment, and as Arturo in I puritani[8] at the Metropolitan Opera.
[1] In 2014 Brownlee, Juan Diego Flórez, and Javier Camarena were called "The Three Tenors," and said to "represent a new golden age in high male voices and in the singular thrill of their top notes.
[11] He also gives recitals with selections from his Spiritual Sketches album with Damien Sneed, new arrangements of traditional music, including for an NPR "Tiny Desk Concert".
This song cycle centers on what it means to be a black man living in America today; in 2020 it was made into a film with Opera Philadelphia and released on their digital channel.