La Fountain-Stokes was born and raised in San Juan, Puerto Rico, specifically in Miramar, a traditional neighborhood located in the central district of Santurce.

[19][20][21] La Fountain-Stokes analyzes the work of a number of contemporary performers and activists including Sylvia Rivera, Holly Woodlawn, Nina Flowers, Monica Beverly Hillz, Erika Lopez, Freddie Mercado, Jorge Merced, Javier Cardona, Lady Catiria, Barbra Herr, and Kevin Fret.

[22][23] La Fountain-Stokes describes this article as a "fictionalized, experimental narrative or autoethnography based on [his] travel experiences as a gay Puerto Rican theater critic and former graduate student.

[25] La Fountain-Stokes frequently publishes short newspaper articles in Spanish, particularly in En Rojo, the cultural supplement of the Puerto Rican weekly Claridad.

[26] These short pieces were collected in a volume titled Escenas Transcaribeñas: Ensayos sobre teatro, performance y cultura (Isla Negra Editores, 2018).

[27] La Fountain-Stokes is also a frequent speaker at professional meetings and college campuses, and has talked about his work in several countries, including Brazil, Cuba, Mexico, Venezuela, and Spain.

In 2004 he did a one-man show, Abolición del pato/Abolition of the Duck, as part of the Casa Cruz de la Luna First Experimental Festival in San Germán, Puerto Rico, and later at the Bronx Academy of Arts and Dance (BAAD!)

[38] The main character of this piece is Lola Lolamento Mentosán de San Germán, who is accompanied by Rigoberta Quetzal and the ñusta Isabel Chimpu Ocllo.

The Village Voice described Abolition of the Duck as "This is not Avenue Q" in reference to the artist's use of indigenous dolls as puppets to talk about Puerto Rican homosexuality.