[15] He specialised both in graphic journalism, for which he was awarded in many public occasions, and pop comics, for which Bonaccorso can boasts collaborations with publishing houses as Marvel and Disney.

[9] Their collaboration continues with the publishing of other comics as “Gli ultimi giorni di Marco Pantani" (Rizzoli Lizard), "Que Viva el Che Guevara" (BeccoGiallo), "Jan Karski.

L’uomo che scoprì l’olocausto" (Rizzoli Lizard), "Gli Arancini di Montalbano" (La Gazzetta dello Sport), “La mafia spiegata ai bambini" and “L’immigrazione spiegata ai bambini” (Beccogiallo) "Salvezza" and "A casa nostra...cronaca da Riace" (Feltrinelli), the latter also published in France for Futuropolis.

[19] Between 2013 and 2021 he published: "Á bord de l'Aquarius" and "Chez nous" with Marco Rizzo (Futuropolis); "Vendetta", "Le Pére Turc" and "Le Sarde" (Glénat) with the screenwriter Loulou Dédola; "Caravaggio e la ragazza" based on a script by Nadia Terranova (Feltrinelli); ”The Passenger" (Tunué) and "Sinai, la terra illuminata dal sole" (BeccoGiallo, Futuropolis).

[30] Finally, he realised storyboards for commercials, including "Tuscanini" and “The Italian good style" for Caruso, by Giancarlo Giannini, winner of the Bokeh Fashion Film Festival in South Africa.