Lely Venus

It is a copy of a Hellenistic original by Doidalses of Bithynia and dates from the Antonine period.

The statue is first recorded in the Gonzaga collection in Mantua, where it was inventoried in 1627[1] Whilst there it was seen by Peter Paul Rubens, who stayed with the Gonzaga family whilst on the continent on diplomatic and art-collecting duties for Charles I of England.

It was an important influence on his voluptuous style of painting the female nude, so much so that it appeared at the National Gallery's "Rubens: A Master in the Making" exhibition from 26 October 2005 to 15 January 2006 [2] It was soon purchased from the Gonzagas, in 1627–28, for King Charles I of England,[3] It was remarked in England in 1631 as "the finest statue of all" and valued at 6000 ecus.

[4] On the dispersal of Charles's art collections during the Commonwealth, it came into the possession of the painter and connoisseur Sir Peter Lely, from whom it derives its name.

The statue was stolen from the Palace of Whitehall after it was destroyed by fire on January 4, 1698, and was recovered four years later by the Crown.