He was a founding member of the Strega Tradition, a form of the modern Pagan new religious movement of Wicca which drew upon his own Italian heritage.
After beginning to publish books on paranormal topics in the early 1960s, he publicly began identifying as Wiccan in 1969, and stated that he was involved in a New York coven.
[1] He also later claimed that his father had informed him that his grandmother, Maria Concetta, had been a psychic known as a Strega Maga ("Great Witch") in her hometown of Enna, Sicily, Italy.
According to Martello's account, Concetta had worked as a folk magician and tarot card reader, and attracted the hatred and envy of the local Catholic clergy.
After identifying his possession of psychic powers, they initiated him into the tradition on his 21st birthday in 1951, making him swear an oath never to reveal the secrets of the La Vecchia.
[6] An anonymous woman who had known Martello informed the researcher Michael G. Lloyd that during the 1980s, he had told her that he had never been initiated into a tradition of Witchcraft, and that he had simply embraced occultism in the 1960s in order to earn a living.
[7] He also published a column titled "Your Handwriting Tells" for eight years that ran in the Chelsea Clinton News, and supplied various articles on the subject of graphology to different magazines.
[8] In 1955, Martello was awarded a Doctorate in Divinity by a non-accredited organization, the National Congress of Spiritual Consultants, a clearing house for registered yet unaffiliated ministers.
[7] That year, he founded the Temple of Spiritual Guidance, taking on the role of Pastor, which he would continue in until 1960, when he began to focus on his writing and his new philosophy of "psychoselfism".
[8] At some point High Priestess Lori Bruno founded a witchcraft coven and church, Our Lord and Lady of the Trinacrian Rose, in which Leo was acknowledged as Elder.
He was appalled at the Society's negative reaction to the Stonewall riots, and castigated those gay people in the audience who accepted the categorization of homosexuality as a mental illness, accusing them of being self-loathing.
[13] Martello supported the GLF's stance that condemned "this rotten, dirty, vile, fucked-up capitalist conspiracy" that dominated American society, and he volunteered by producing articles both for the group's newsletter Come Out!
[13] He was involved in the GLF's campaign against The Village Voice's decision to ban the word "gay" from advertisements; the magazine preferred the term "homophile", which had also been used by the Mattachine Society.
[13] The GLF was structured around a system of anarchic consensus, which made it difficult for the group to reach conclusions on any issue, and heated arguments became commonplace at its meetings.
[14] That month, Martello was invited to a private meeting of these disaffected GLF members which resulted in the formation of the Gay Activist Alliance (GAA).
Although continuing the GLF's emphasis on taking a confrontational approach to conventional American society and authority, the group was more tightly organized and structured, and focused exclusively on attaining equal rights for gay and lesbian people.
Martello contributed a regular column known as "The Gay Witch", reaching his widest audience to date, also authoring a variety of other articles that appeared in it.
[17] In April 1970 he appeared on the WNEW-TV Channel 5 documentary series Helluva Town, performing Witchcraft rites with several assistants in Central Park.
The Department refused, and when Martello stated that the Witchcraft community would gather there regardless in their capacity as private individuals, he was threatened with police action.
Martello gained the legal assistance of the New York Civil Liberties Union (NYCLU), who informed the Parks Department that they were in breach of the First Amendment.
[22] For WADL, he authored an essay titled "The Witch Manifesto", likely influenced by Carl Wittman's "Refugees from Amerika: A Gay Manifesto" (1970), which demanded that the Roman Catholic Church face a tribunal for crimes committed against accused witches in the Early Modern period and that they pay reparations to the modern Witchcraft community for those actions.
[37] Doyle White noted that while Martello faded from prominence as the head of the Strega Wicca movement, the tradition gained a "new public advocate" in Raven Grimassi.